This is cool…. seriously! Check this out. Off Camera Flash Meets Light Painting.

12 01 2010

Don’t you love it when an experiment comes together and works!  Well this one worked better than I thought.

Recently I’ve started getting more into Off Camera Flash photography and blending it in with my landscape and urbanscape images.  I came up with an idea of combining studio off-camera flash with creative light painting.  So I pulled together 2 lovely models, 1 awesome makeup artist and a bunch of strobist freaks for a  night of experimental fun.

The images that you will see in this video ARE STRAIGHT FROM THE CAMERA!!! I have not opened them at all in Photoshop, they have just been converted in Lightroom.

Credits:

Makeup by Glitta Supernova

Models  Catherine and Liliana

Strobeys: Australian Strobist Group

Music: Chamillionaire – Good morning & Temper Trap – Sweet Disposition

Light Painting: Yours truly.





Light Painting Article in Better Photography

29 12 2009

I just picked up a copy of the latest edition of Better Photography.  Peter Eastway has written up a nice article about a shoot I took him on a few months back to show him the ins and outs of light painting.

It’s funny what editors omit from their articles… he ommited to mention that he went on a seascape shoot with two Phase One backs in his backpack wearing thongs.  Now the trip out to the headland wasn’t too bad, but it was an incoming tide, and I think Peter got a tad nervous when we had a few dashes across the rocks in between waves.  Watching somebody dash across the rocks in thongs with about $80K worth of camera gear on their back was certainly one of the moments I won’t forget in a hurry.

🙂

BP





Sculpture By The Sea…By Night

9 11 2009

Well this is the second year that I have stayed away from Sculpture By the Sea during pre-dawn or daylight hours…. It’s like Pitt Street for Photographers… has been for a few years now.

But at night…  all the people go except for the occasional couple that stroll by with torches.  You have plenty of space and time to just experiment and play.

Here’s a couple of shots from this years exhibition.

Blue Face at night

This was probably my favorite shot from the two nights that I went out shooting.  Funnily enough it was the last shot of the night.  I’d seen this face when I was browsing through some of the other photos of the exhibition, and while none of the other images of the sculpture grabbed me, the face itself did.  I figured it would have possibilities before I even saw it, so it was on my “must shoot” list for the night.  It really helps to do your research, otherwise I could have easily missed it.  As it was I had to ask the security guards where to find this sculpture.

OK, a bit of info on how I made this shot.  The first thing is that I am previsualising my light paintings much better these days.  When I looked at the sculpture here’s what I was thinking….

  • Cool face…  I could some cool things with highlights and shadows on the face
  • Love the horizon and water in the background
  • The bushes create a nice transition against the sea… want to emphasize them
  • The stars and the clouds are very cool… I want to get lots of stars and no star trails and try to get some of the little puffs of clouds to blur in the sky.
  • I liked the way the sculpture cut above the horizon and kind of made a nice transition between the land and the heavens… I wanted to emphasise this as well.
  • As I was looking at this I thought it would look cool if the face was kind of emerging out of a blue-light fog.

So that was what was going on in my head… so here’s how I set about executing it.

Screen shot 2009-11-09 at 10.11.35 PM

(You might want to click on the image above to see it full size)

I started off with my heaven shot… my background.  Set my camera to ISO3200 and shot 30sec @ f5.6  This gives me heaps of bright stars due to the high ISO and no star trails due to the 30sec exposure (lucky I’m shooting with a Nikon)… Canon would probably give me a shit-load of noise…. OK… couldn’t resist that jibe… seriously though, the D700 is awesome at this high an ISO.

Then I started my first white light run on the face with the fluoro light.  Aftger that I saw clouds coming over, so I redid my heaven shot.  The the next two images were more light painting on the face from different angles.  Once I felt I had the face captured from the right angles, I light painted the bushes in the background.  I then did two frames of the face in blue light (using cold cathodes).  This was to give me some blue light on the face from the blue fog.  I then thought that perhaps I might light up the face red to see what it looked like in contrasting colours emerging from the blue fog…. however when I previewed it in Photoshop I didn’t really like it, so I didn’t use the red images.

The final image is of the blue “fog” that I created with Electro-luminesent wire.  This stuff is wicked.  It creates cool water/fog effects.

Then I just started working the blending in Photoshop. The trickiest part was making an accurate mask around the sculpture that was sticking up in the sky.  I used a contrast mask for that (see my cool shit tutorial series for video on how to do that).

Here’s a couple of my other shots from Sculpture By the Sea.

horse sculpture

I loved the look of this horse from the moment I saw it.  It had “light painting” written all over it.  I loved the way it overlooked the water.  I used contrasting colours to really try to highlight the insides of the horse.

This last shot was from my first night’s shoot.  I just wanted to do something a bit abstract and different with it, so I threw the sky into almost total blackness and focused on abstracting the sculpture and the surroundings.

Sculpture by sea 1

For those that want to learn this type of photography see my Light Painting Workshop Page.  Still a few spots left for the Nov 09 workshop.

Brent





Announcing the Light Painting Workshop

20 10 2009

Hi folks

I’m very excited to announce the first light painting workshop.  I’ve had quite a few people request this workshop and I’ve spent several months designing the content and thinking through how it will run in order for it to be:

  1. Very informative in terms of theory, capture, equipment and post processing
  2. Very creative in terms of  locations and lights
  3. Very collaborative in the way it is structured
  4. Quite social (by combining dinner, a few beverages etc.)
  5. A heck of a lot of fun!!!

The spaces will be strictly limited, so put your name down early in order to ensure a spot (I’ve already had people reserve spots before I announced the workshop).

For all the information and details, click here to visit the Light Painting Workshop information page

Brent