Photoshop Tutorial – Graffiti Artist

31 08 2010

Last weekend I had a ball with Kajo and Chris Belyea shooting this image in the old Dunlop Factory.  The model is Sarah Jane Kelly who is a lovely young girl to work with.  I was evaluating a set of Elinchrom Ranger Quadras for the weekend, so I went out with the goal of shooting a stylised portrait of the model as a graffiti artist.

I was very happy with the way the shot turned out.  I applied quite a bit of stylised post processing.  If you are interested in how I processed it, check out the tutorial below.

Enjoy

Brent





Photoshop Tutorial – Post Processing Forsaken B&W

16 08 2010

I had a couple of people drop me notes asking for a Photoshop tutorial on how I post-processed the Forsaken image of Rev.  Here it is.  I hope you enjoy it and learn a useful trick or two.





Kirsty Tutorial Part 2 – Post Processing

22 05 2010

This is part 2 of my tutorial on how I produced the image of Kirsty by the bunker.   If you haven’t read part 1, you might want to scroll down or go to the previous article to understand how the capture occured.

This posting is all about the photoshop work.  Now before you jump into the screencast, I refer to a guy in the video called Calvin Hollywood.  I have found Calvin’s techniques very different and very cool.  In particular I refer to an effect called “Freaky Details”.  The link to Calvin’s posting on Freaky Details is here. I have also bought Calvin’s DVD called “Calvinize” and I totally rate it.  But you want to be into more stylised photoshop before buying it…. It wouldn’t be as suitable for those of you that are only interested in photo realistic landscapes.

Anyway I hope you find this tutorial useful and pick up a few techniques.  I’m not sure I have explained everything super clearly, so just post a question in the comments if there is something you didn’t understand and I’ll clarify.

Enjoy

Brent





Cool Shit Masking Tutorial Part 3 of 3 – Playing with the sky

5 09 2009

Thanks for the feedback on the first two tutorials.  This third tutorial in the series will show you a couple of techniques that you can use this type of precise masking for.  It will also demonstrate using a real case how to get rid of the fringing that sometimes occurs when trying to make accurate masks.

If you haven’t watched the first two parts to this series, I would recommend you look at the prior postings first.

Click here to view the 3rd part of the advanced masking tutorial.

I’m off to go camping up in Munmorah National Park.

Have a good weekend

Brent